YATI (36) is undergoing her life as usual. At night, she is sewing clothes by her window that is left open. The wind is cold. Yati’s empty eyes glance over the empty road. Suddenly, a knock wakes her up from her thoughts. She then takes her only daughter, JANI (9), who is sleeping near her, to their bedroom. NCO RATIB (37), POLICE CHIEF RIDWAN (39), and ROHMAN (37) have invaded her house. Intimidatingly, they treat Yati’s house like it’s their own. Warmingly, Ridwan introduces Rohman to Yati as ‘person from the government’ that will take notes of Yati’s chronological story of the disappearance of YATMAN (38), her husband. As the interrogation begins, Yati is curt and stiff. She often answers Rohman’s questions in a counterproductive way. It is clear she doesn’t trust them. Ratib and Rohman try their best to convince Yati that her husband left her in an affair and lives with another woman. However, Yati doesn’t believe them, and doesn’t want to submit to their claim. As the night grows darker, Rohman’s questions turn sexual, as he asks about Yati’s sex life with Yatman. Yati cannot take it anymore. She finally tells everything. The truth. The night before Yatman disappeared, she found Yatman battered and bloodied in front of their house. There was a print of Ratib’s boots on his chest. Yati is sure that Yatman was a victim of forced disappearance by his boss, MANDOR ROSA, because of his protest against the nonsensical working hours. Ratib is angry about this claim, Rohman doesn’t believe her, while Ridwan is worried for Yati’s own safety. The conflict is rising sky high. Rohman tries to calm the situation down, however Yati doesn’t want to submit. “We cannot help you if you keep on lying to us,” says Rohman. With pain and hollowness, Yati agrees to say the truth again. Rohman awaits her answer, for him to finally take a note of. “I miss my husband, and I want him to come back home,” says Yati. Everyone is silent. After a while, Rohman finally writes down her answer.

On his way to the police school, a young man, accompanied by his parents, brought his beloved cat. Unfortunately his father didn't like this. About him, cats and things are weak.

Rashed, a fearless artist who creates protest cartoons and paintings on social media and city walls during the recent student protests. His pregnant wife, Runa, though yearning to join the movement, remains confined at home. When Runa goes into labor during a nationwide crisis where no ambulance services are available, Rashed desperately ventures out despite the curfew to find help. At a security checkpoint, Rashed faces aggressive questioning and is forced to unlock his phone. The officers discover his protest paintings, and social media activity, leading to his immediate arrest. Left alone in labor, Runa accidentally knocks over Rashed's ink, spilling it across his painting—a poignant symbol of how resistance, like ink, spreads uncontrollably despite attempts to contain it. As a result, the fate of Rashed and Runa hangs in the balance.

A woman is exposed to being slapped in two different situations in her life. When she is weak and when she looks strong

To meet a friend, Suat goes to a cafe in a neighborhood where he hasn't spent much time before. He sits down and, finding that his friend hasn't arrived yet, he orders tea from the waiter and starts browsing the internet on his phone. While he's waiting for his tea, he notices the waiters asking the people sitting at the front of the cafe to stand up. They remove the tables and create an empty space. In this newly created space, a table-like structure with a nice cover and a flower on it catches his attention. At that moment, the waiter lifts the flower and pulls off the cover, revealing a musalla stone underneath.

"SAUDA" is a gripping single-take short film inspired by Sadat Hasan Manto's story "Ghate ka Sauda" and influenced by numerous true events. It delves into the complexities of desire, morality, and faith. Three men, enticed by a woman named Salma, engage in a shocking encounter that takes a dark turn when her true religion is revealed, forcing them to confront their own hypocrisy and desires.